JEANRICHARD

Original 1971 RATTNER Lithograph "Seated Woman with Feather Hat" HAND SIGNED COA

Description: --> Four Centuries of the world's finest artists from our collection to yours --> Thank you for visiting... Click here for HOT DEALS | Click here for our NO RESERVE AUCTIONS Please feel free to ask any questions you might have about this work and we will answer promptly.International bidders are always welcome to bid and we combine shipping on all orders. --> Artist: Abraham Rattner (1893-1978) Title: Woman Seated wearing Fancy Dress and Hat (from the Beggar's Opera) Medium: Original lithograph on Arches paper.Year: 1971 Edition Size: 76/150 Signature: Hand signed lower right and numbered lower left. Publisher: Circle Gallery Inc. Printer: Atelier Edmond et Jacques, Paris Condition: ExcellentDimensions: Sheet Size - 20 x 26 inches. Image size 13 1/2 x 17 inches. ** Please note this is not a framed piece. It will be shipped protected and rolled in a tube** Additional notes:The Beggar's Opera is a ballad opera in three acts written in 1728 by John Gay with music arranged by Johann Christoph Pepusch. It is one of the watershed plays in Augustan drama and is the only example of the once thriving genre of satirical ballad opera to remain popular today. Ballad operas were satiric musical plays that used some of the conventions of opera, but without recitative. The lyrics of the airs in the piece are set to popular broadsheet ballads, opera arias, church hymns and folk tunes of the time. The Beggar's Opera premiered at the Lincoln's Inn Fields Theatre on 29 January 1728 and ran for 62 consecutive performances, the second-longest run in theatre history up to that time. The work became Gay's greatest success and has been played ever since; it has been called "the most popular play of the eighteenth century". In 1920, The Beggar's Opera began a revival run of 1,463 performances at the Lyric Theatre in Hammersmith, London, which was one of the longest runs in history for any piece of musical theatre at that time. The piece satirised Italian opera, which had become popular in London. According to The New York Times: "Gay wrote the work more as an anti-opera than an opera, one of its attractions to its 18th-century London public being its lampooning of the Italian opera style and the English public's fascination with it." Instead of the grand music and themes of opera, the work uses familiar tunes and characters that were ordinary people. Some of the songs were by opera composers like Handel, but only the most popular of these were used. The audience could hum along with the music and identify with the characters. The story satirised politics, poverty and injustice, focusing on the theme of corruption at all levels of society. Lavinia Fenton, the first Polly Peachum, became an overnight success. Her pictures were in great demand, verses were written to her and books published about her. After appearing in several comedies, and then in numerous repetitions of The Beggar's Opera, she ran away with her married lover, Charles Powlett, 3rd Duke of Bolton. Artist Biography: Abraham Rattner was an American artist, best known for his richly colored paintings, often with religious subject matter. During World War I, he served in France with the U.S. Army as a camouflage artist. Rattner was born in Poughkeepsie, New York to a Russian-Jewish father and a Romanian-Jewish mother. He initially intended to be an architect, in pursuit of which he studied at George Washington University. Deciding instead to concentrate on painting, he then went on to study art at the Corcoran School of Art and the Pennsylvania Academy of the Fine Arts. With the entry of the U.S. in World War I, Rattner was recruited to join the U.S. Army's American Camouflage Corps by that unit's commanding officer, Homer Saint-Gaudens, son of sculptor Augustus Saint-Gaudens (Behrens 2009). He was sent to France, where he was "promoted to sergeant, put in charge of camouflage research, and served at the front in the Second Battle of the Marne, Château-Thierry, Belleau Wood, and on the Hindenberg Line. He received a severe back wound which troubled him for the rest of his life" (Culkin 1980). Rattner lived in Paris from 1920 until 1940, when he returned to New York City. He became known for his rich use of color and surrealist aspects of his work, which often pertained to religion. Although while living in Paris, he had met and studied the paintings of Claude Monet, his work is generally closer to that of Georges Rouault and Pablo Picasso. During World War II, he again volunteered for camouflage service, but was able to do very little (Culkin 1980). Later, he taught at several schools, including The New School, New York (1947–55), and Yale University, New Haven, Connecticut (1952–53). In 1924, Rattner married an American art student and fashion illustrator named Bettina Bedwell, who later became the Paris fashion correspondent for the New York News-Chicago Tribune Syndicate. In 1947, she died suddenly from kidney infection. In 1949, he married Esther Gentle, a New York City sculptor, painter, printmaker, and business person, who ran an art reproductions business and a New York City art gallery. Rattner was also a long-time friend of the American writer Henry Miller, who wrote about their friendship in 1968 in A Word About Abraham Rattner. His artwork is in the Albright-Knox Art Gallery, Buffalo, New York; Art Institute of Chicago; Baltimore Museum of Art; Detroit Institute of Arts; Montgomery Museum of Fine Arts, Montgomery, Alabama; Pennsylvania Academy of the Fine Arts, Philadelphia Museum of Art; Phillips Collection, Washington, D.C.; Wadsworth Atheneum, Hartford, Connecticut; Whitney Museum of American Art, New York City; Samuel P. Harn Museum of Art, Gainesville, Florida; and the Leepa-Rattner Museum of Art on the campus of St. Petersburg College in Tarpon Springs, Florida.[3] He designed the stained glass east wall which dominates the interior of the Chicago Loop Synagogue (1960), described by architectural critic Brian de Breffny as "[p]erhaps the most beautiful synagogue interior in the United States." Accompanied by a Certificate of Authenticity and is Fully Guaranteed to be Certified as Described Framing Any framing included in a listing is double matted and framed in a solid wood moulding. We can also frame any pieces not listed as such. Please contact us for pricing. We are usually half the price of a regular framer. Shipping Packages are shipped the next business day after confirmed payment is received. If you are making multiple purchases, please request an invoice so that we may combine shipping charges for you. Guarantee We guarantee all our listings to be 100% as described Returns Returns are accepted up to fourteen days after receiving your purchase. Buyer accepts responsibility for any additional shipping charges. | Click here for HOT DEALS | Click here for our NO RESERVE AUCTIONS |

Price: 324 USD

Location: Cape Coral, Florida

End Time: 2025-01-10T11:20:00.000Z

Shipping Cost: N/A USD

Product Images

Original 1971 RATTNER Lithograph "Seated Woman with Feather Hat" HAND SIGNED COAOriginal 1971 RATTNER Lithograph "Seated Woman with Feather Hat" HAND SIGNED COA

Item Specifics

Return shipping will be paid by: Seller

All returns accepted: Returns Accepted

Item must be returned within: 30 Days

Refund will be given as: Money back or replacement (buyer's choice)

Return policy details:

Size: Medium (up to 36in.)

Signed: Signed

Date of Creation: 1900-1949

Material: Lithograph

Original/Licensed Reprint: Original

Subject: Abstract

Print Surface: Paper

Listed By: Dealer or Reseller

Framed/Unframed: Matted & Framed

Type: Print

Year of Production: 1971

Width (Inches): 16 3/4

Original/Reproduction: Original Print

Features: Signed

Print Type: Lithograph

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