🎈RARE Peter LINDBERGH - Kate Moss 1994, Authentic Orig Drawing Offset Print

Description: Sale!!! Mega RARE! Unique!!!! Peter LINDBERGH - Kate Moss, New York State, 1994 Old Authentic Original Drawing Offset Print Beautiful Famous photo!!!! Unique! Size 23 x 33.4 cm This is a print that the printer had archived as a reference model and laminated to a support so that it can be preserved over time. A wonderful testimony to traditional art printing which has completely disappeared today. Remarkable large print, close to a photograph, very bright and contrasted, with beautiful density tones. Its rendering as well as its sharpness, its definition with sharp details, and its shine, are absolutely magnificent. Print made in 2005 by a former art printer - Printer archive model two-tone printing enhanced with a glossy varnish This unpublished print was found deep in an assembly workshop in the archive lockers of a former art printing house, carefully preserved flat and protected from light in an envelope. Although it is old with its 19 years of age, it remains in a good state of conservation. Presence of traces of dirt and marks on the back due to manipulations by the printer. However, the front is intact, in perfect condition and of remarkable shine. This copy was kept by the printer to serve as references for its calibration and coloring on the machine during reprints. In July 1994, Kate Moss posed in overalls, aged 20 with already five years of career behind her, this unvarnished portrait that Peter Lindbergh produced of the young British model quickly became an icon and symbol of her photographic style. This opponent of retouching and Photoshop respects women, beautiful as they are. That day, the subject which brought together, for “Harper’s Bazaar”, the German photographer and Kate Moss was entitled “A Star Is Born”, it was presented in the December issue of the American monthly. “She's not tall or beautiful by conventional standards, but why should she be? She's the coolest person in the world. »Peter Lindbergh Before each shoot, Lindbergh spends time with the model, whose image he wants to capture as closely as possible to the truth, he wants to have a friend in his viewfinder. He photographed her with his Pentax 6 × 7, in the studio then outdoors where she leans against the front of a wooden door, a portrait like an evocation of the photograph by Paul Strand taken in France in 1951, “ Young man in Gondeville”, a young apprentice with a fierce face, in overalls, in front of a barracks in Charente. For him she is a perfect female body which contains a mystery, he exalts her as an object of desire for the man, through this image where a force of seduction emanates. This body language which establishes the complex system which underlies the relationship between the photographer and the model, through a set of complicit signs and a deep fidelity towards each other, can give rise to a form of poetry at the moment when the photograph is realized. “Color stops at the surface. Black and white penetrates the skin, for me it is not a question of beautiful or not beautiful but of true or not true. »Peter Lindbergh His style is deeply marked by the contrasting images of his childhood spent in the Ruhr region. Industrial landscapes, dark places, abandoned factories and metal structures are often found in his photographs. Influenced by the photographer August Sander, the Metropolis of Fritz Lang, Germany and its expressionist cinema, omnipresent traces in his photos, moments of emotion forever immortalized. “Creation is the birth of something. A thing cannot come from nothing. When we create a painting, a poem, a photograph, the creativity comes from an idea, a feeling, an emotion, or a combination of ideas, feelings and emotions that are reborn, in some way. kind, through our experiences and our ambitions. »Peter Lindbergh He has a vision or he suggests, or he weaves with extraordinary creativity photographs that are completely new in their conception. His fashion images defy the laws of gravity of this world, they seem to redefine a new world that does not exist. Special light and composition are not enough, Lindbergh wants to feel the soul of the subject he photographs, to give the impression of being close to them. He insists that his models be natural, with little makeup and simple hairstyles, so that they can bring all their personal mystery to the lens. Her work has a science fiction aspect, is a total utopia, transforming these goddesses into human beings without ever depriving them of their aura. He photographs women as they are with their flaws, he knows how to enhance them like no other, he is a fashion photographer who does not photograph fashion. His photographs do not convey the image of a piece of clothing or an ultra-sophisticated and artificial woman, but it is the woman that he seeks to capture, well anchored in her time, with her sensitivity and her universe. These are in no way photographs of classic fashions, but testimonies, an idea of the femininity of the times. He has little taste for retouching, thus refusing to erase the singularities that make up a personality to leave room for a raw and strong image. Liking working with women with strong identities, he lets them express themselves freely in front of the lens. “If we retouch too much, we erase life, it’s no longer photography, it’s cosmetic surgery. »Peter Lindbergh His photographs shake up the fashion world, definitively changing the outlook of an industry that only defines itself through a facade of perfection, he immerses the models in a banal setting, in the middle of busy streets like snapshots of life, rare moments of emotion engraved on film. It functions like a true historian, to reveal the evolution of women in fashion. Plump and radiant, they become more androgynous and starving over the years. For him, they are rough diamonds, and he knows how to capture their essence with kindness, long before they become the muses of the greatest couturiers. He presents them without makeup or sophistication, dressed in simple white shirts on the beaches of Santa Monica, favoring black and white to distance himself from real life, in order to promote his image. “I like to recognize myself in the photos I take. That was the most important thing for me, to always be able to find my identity in my images” Peter Lindbergh Peter Lindbergh (1944-2019) German photographer, born Peter Brodbeck in Leszno, Poland. He spent his childhood in Duisburg in North Rhine-Westphalia. After an elementary education, he left school very early at the age of 15 and worked as a window decorator for the Karstadt and Horten department stores. In 1962, he went to Switzerland for eight months, then went to Berlin where he took evening classes at the Beaux-Arts. He hitchhiked to Arles, following in the footsteps of his idol, Vincent Van Gogh, whom he admired, and continued his journey for two years, to Spain and Morocco. Back in Germany, he studied painting at the “Krefeld” art school. In 1969, while still a student, he exhibited his paintings for the first time at the “Denise René/Hans Mayer” gallery. In 1971, he turned definitively to photography and became the assistant of photographer Hans Lux in Düsseldorf for two years. Then, he worked as a freelancer for five years, devoting himself exclusively to the field of advertising, In 1973, thanks to the support of Willi Fleckaus, he produced his first and important publication with 14 pages of photographs in the German magazine “Stern”, from which point he became famous. In 1978, he moved to Paris and began an international career, collaborating for the magazines "Marie Claire", initially for the Italian version of "Vogue", and continued with those of the British, French, German and American. In 1985, he exhibited for the first time, during a group exhibition at the “Victoria and Albert Museum” in London. In 1988, Anna Wintour, at the helm of the American edition of Vogue, recruited him, asking him to shoot the cover of the November 1988 issue. Lindbergh then signed one of his first most beautiful photographs, an image immediately hailed as a revolution graphic in the world of the fashion press, that of the young Israeli model Michaela Bercu in the midst of the Israeli-Palestinian conflict. He collaborates with numerous magazines, “The New Yorker”, “Vanity Fair”, “Rolling Stone” and “Allure”. In 1990, he repeated the feat this time for the cover of British Vogue by taking an iconic shot, bringing together models who were little known at the time, Linda Evangelista, Naomi Campbell, Tatjana Patitz, Cindy Crawford and Christy Turlington who are at the origin of supermodels which developed throughout the decade of the 1990s. The same year released his film, “Models”, which he directed in which played the five models he photographed. In 1994, the first retrospective of his work was organized in Tokyo at the Bunkamura Museum. Now recognized in the field of fashion, he carries out numerous campaigns for major haute couture brands, Giorgio Armani, Prada, Donna Karan, Calvin Klein and at the same time draws portraits of personalities, in musical and cinematographic circles, under his lens. introduces John Travolta, Catherine Deneuve, Mick Jagger, Charlotte Rampling, James Coburn, Asia Argento, Dennis Hopper, Tina Turner, Madonna, Sharon Stone, Charlotte Gainsbourg, John Malkovich, Mylène Farmer among others. A close friend of Wim Wenders, he also turned to making documentaries and experimental films. In 1995, he was named best photographer by the International Fashion Awards and became an honorary member of the very exclusive German Art Directors Club. The same year he received in Berlin, the most important European distinction in the field of design, the “Raymond Loewy Foundation” prize. He was selected for the edition of the 1996 Pirelli calendar, which he carried out at El Mirage in California, with Nastassja Kinski, Tatjana Patitz, Eva Herzigovà, then that of 2002 in Hollywood. In 1997, inauguration of his exhibition, entitled “Peter Lindbergh, Images of Women” at the Hamburger Bahnhof Museum in Berlin. In 1999, his short film, “Inner Voices” won the best documentary prize at the Toronto International Film Festival. In 2001, he was named “Knight of the Order of Arts and Letters” in Paris and released his medium-length film, “Pina Bausch Der Fensterputze”. In 2007, his feature film, “Everywhere at Once”, co-directed with Holly Fisher, was presented out of competition at the Cannes Film Festival. In 2011, he exhibited for the first time in Beijing, an exhibition entitled “The Unknown”, imagined by Jérome Sans, co-director of the Palais de Tokyo, an exploration of the links between cinema and photography. In 2014, the American Foundation for AIDS Research (Amfar) awarded him the Courage Prize at its gala on February 5 for his commitment and significant donations to AIDS research. During the evening, he offered one of his iconic photos, and auctioned a series of his portraits for the benefit of the foundation. “We, the photographers, are here to free them from the dictatorship of perfection and youth. »Peter Lindbergh Sale as is, no return. please a look my sales list thanks a lot to the following photographers Edward Weston Daido Moriyama Araki Josef Koudelka Saul Leiter Ray K Metzker Paolo Roversi Helmut Newton, Henri Cartier-Bresson Ernst Haas Harry Gruyaert Annie Leibovitz Peter Lindbergh Guy Bourdin Richard Avedon Herb Ritts, Ellen Von Unwerth Comme des Garçons Rei Kawakubo Irving Penn, Bruce Weber, Edward Steichen, George Hoyningen-Huene, Hiro, Erwin Blumenfeld Bruce Weber, Alex Webb Robert Frank Issey Miyake Robert Doisneau Steve Hiett Gueorgui Pinkhassov Andy Warhol Yayoi Kusama Magnum photos Harry Callahan Andre Kertesz Elliott Erwitt Bruce Davidson Guy Bourdin Steven Meisel, Martin Munkacsi Mario Giacomelli Bruce Gilden Sebastiao Salgado Sarah Moon

Price: 695 USD

Location: New York, New York

End Time: 2024-11-21T22:48:45.000Z

Shipping Cost: 20 USD