S15, 516-10, 1918, Mounted Photo, Winners Selbon Trophy-Curling, 1917-18, Canada

Description: S15, 516-10, 1918, Mounted Photo, Winners Selbon Trophy-Curling, 1917-18, Canada S15, 516-10, 1918, Mounted Photo, Winners Selbon Trophy-Curling, 1917-18, Canada Click images to enlarge Description You are bidding on an original Antique 1918 Mounted Photograph, Winners Selbon Trophy-Curling Team in Studio, 1917-18, Canada. Players: Herbert Tees, G. M. McKay - skip, A. E. Wilson, W. H. Sutherland, More Info on the game of Curling: Curling is a sport in which players slide stones on a sheet of ice toward a target area which is segmented into four concentric circles. It is related to bowls, boules, and shuffleboard. Two teams, each with four players, take turns sliding heavy, polished granite stones, also called rocks, across the ice curling sheet toward the house, a circular target marked on the ice. Each team has eight stones, with each player throwing two. The purpose is to accumulate the highest score for a game; points are scored for the stones resting closest to the centre of the house at the conclusion of each end, which is completed when both teams have thrown all of their stones once. A game usually consists of eight or ten ends. The player can induce a curved path, described as curl, by causing the stone to slowly rotate as it slides. The path of the rock may be further influenced by two sweepers with brooms or brushes, who accompany it as it slides down the sheet and sweep the ice in front of the stone. "Sweeping a rock" decreases the friction, which makes the stone travel a straighter path (with less curl) and a longer distance. A great deal of strategy and teamwork go into choosing the ideal path and placement of a stone for each situation, and the skills of the curlers determine the degree to which the stone will achieve the desired result. Evidence that curling existed in Scotland in the early 16th century includes a curling stone inscribed with the date 1511 found (along with another bearing the date 1551) when an old pond was drained at Dunblane, Scotland.[3] The world's oldest curling stone and the world's oldest football are now kept in the same museum (the Stirling Smith Art Gallery and Museum) in Stirling. The first written reference to a contest using stones on ice coming from the records of Paisley Abbey, Renfrewshire, in February 1541. Two paintings, "Winter Landscape with a Bird Trap" and "The Hunters in the Snow" (both dated 1565) by Pieter Bruegel the Elder, depict Flemish peasants curling, albeit without brooms; Scotland and the Low Countries had strong trading and cultural links during this period, which is also evident in the history of golf. (ref. Wikipedia) To see all of my "Cabinet Cards" click here. The last image is for Reference Only. Back is blank. Photographer: Foster Photo. Subjects: People, Men, Fashion, Moustaches, Furniture, Chairs, Sport, Trophy, Brooms. Card size: 19" x 14". Photo Size: 13.5" x 10.5"; #S15, 516-10 The Cabinet Card was a style of photograph which was widely used for photographic portraiture after 1870. It consisted of a thin photograph mounted on a card typically measuring 108 by 165 mm (4+1⁄4 by 6+1⁄2 inches). The carte de visite was displaced by the larger cabinet card in the 1880s. In the early 1860s, both types of photographs were essentially the same in process and design. Both were most often albumen prints, the primary difference being the cabinet card was larger and usually included extensive logos and information on the reverse side of the card to advertise the photographer’s services. However, later into its popularity, other types of papers began to replace the albumen process. Despite the similarity, the cabinet card format was initially used for landscape views before it was adopted for portraiture. Some cabinet card images from the 1890s have the appearance of a black-and-white photograph in contrast to the distinctive sepia toning notable in the albumen print process. These photographs have a neutral image tone and were most likely produced on a matte collodion, gelatin or gelatin bromide paper. Sometimes images from this period can be identified by a greenish cast. Gelatin papers were introduced in the 1870s and started gaining acceptance in the 1880s and 1890s as the gelatin bromide papers became popular. Matte collodion was used in the same period. A true black-and-white image on a cabinet card is likely to have been produced in the 1890s or after 1900. The last cabinet cards were produced in the 1920s, even as late as 1924. Owing to the larger image size, the cabinet card steadily increased in popularity during the second half of the 1860s and into the 1870s, replacing the carte de visite as the most popular form of portraiture. The cabinet card was large enough to be easily viewed from across the room when typically displayed on a cabinet, which is probably why they became known as such in the vernacular. However, when the renowned Civil War photographer Mathew Brady first started offering them to his clientele towards the end of 1865, he used the trademark "Imperial Carte-de-Visite." Whatever the name, the popular print format joined the photograph album as a fixture in the late 19th-century Victorian parlor. (ref. Wikipedia) If you have any questions about this item or anything I am auctioning, please let me know. Card Cond: VG-VG/EX (edge & corner wear), Please see scans for actual condition. This Cabinet Card would make a great addition to your collection or as a Gift (nice for Framing). 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Price: 199.96 USD

Location: Warsaw, Indiana

End Time: 2024-10-05T05:29:32.000Z

Shipping Cost: 10 USD